Bold, industry-ready talent celebrated at Manchester Fashion Institute's Graduate Showcase

20 May 2026

Work displays key themes of diversity, heritage, sustainability, technology and innovation



From thoughtfully designed post-surgery clothing to digital concepts inspired by gaming culture, Manchester Metropolitan University celebrated the next generation of fashion talent at its Manchester Fashion Institute Graduate Showcase this week.

Held at Manchester Met’s historic Holden Gallery, the event brought together audiences including a front row of VIP industry guests who were presented with students’ final-year collections across fashion design, communication and business.

The showcase, held on May 19, highlighted key themes shaping the future of fashion, including diversity, heritage, sustainability, technology and innovation, with students presenting projects that combine creative vision with real-world impact.

The large-scale production brought together live catwalk shows, exhibitions, business pitches and digital presentations, reflecting Manchester Met’s continued investment in industry-focused learning and real-world creative practice.

Catwalk presentations were also livestreamed to audiences beyond Manchester, reflecting the increasingly hybrid and globally connected nature of contemporary fashion events while extending visibility for graduating students.

Manchester Fashion Institute showcase
The graduate showcase included an exhibition of Fashion Communication students' work

Among the projects on display was work by Fashion Business and Management student Thet Soe, whose collection was inspired by her mother’s recovery following breast cancer surgery.

Initially developed as a simple pyjama concept, Soe’s project evolved through research into a collection of bio-based, adaptive recovery wear, designed to support both the physical and emotional needs of patients while avoiding a clinical feel.

Her work combines design with strategic business planning, including ethical sourcing from India and the use of OEKO-TEX Standard 100-certified bamboo fabric to ensure safety and sustainability. The project also considered transparency and compliance through collaboration with audited factories.

Speaking about the collection, Soe said: “When my mother was recovering from surgery, I realised how much women struggle both physically and emotionally during and after surgery, so I wanted to create something that can support both sides.

“I learnt about the importance of features like drain pockets, the need for freedom of movement, and the value of soft, sensory fabrics. This project has opened my eyes to an area of fashion I knew very little about before and made me more passionate about creating work that is meaningful, practical and emotionally supportive.”

Final‑year Fashion Communication student Kağan Eren developed a Minecraft-Louis Vuitton experience campaign to strategically connect the brand with Gen Alpha (born between approximately 2010 and 2024).

Eren said: “Gen Alpha is an emerging market, accounting for 40% of the future luxury market and buying into luxury younger than ever. To communicate to them, I found that tapping into their niches, and respecting their value shift from goods to experiences, is an effective way to build foundations for loyalty with them. 

“Research into emerging technologies also shaped the concept, from generative AI campaign imagery to digital‑twin elements, ensuring it felt contemporary and aligned with Louis Vuitton’s commitment to innovation. My ideas are always research‑led, as studying Fashion Communication has shown me that strong research is essential to proving an idea’s commercial viability.”

Catwalk model at the fashion show
The catwalk show was held at Manchester Met's historic Holden Gallery

Fashion Promotion student Charlotte Thornton’s project centred around the United Nations Sustainable Development Goal to end poverty in all its forms everywhere, and explored fuel poverty and social poverty. Thornton created a quilt as a community project and facilitated free creative classes to bring people together in a warm and welcoming environment.

Thornton said: “The quilt is both practical and symbolic — it provides warmth, but the act of making it together builds connection and tackles social isolation. Social poverty, particularly among children and older people, can be deeply isolating, and as living costs rise, many are missing out on opportunities simply due to money.

“It’s made entirely from surplus fabric sourced from the design studios. I collected materials over several weeks and was lucky to find colours and textures that work beautifully together. A friend studying Fashion Design and Technology and I spent evenings hand-sewing the quilt – a process that became really meaningful. It reflected the project’s core idea: a free, creative activity that brings people together and puts community into practise.”

Fashion student Freya Gaskell’s collection made its catwalk debut, inspired by her grandfather’s travels in his van along the ‘hippie trail’ that stretched from Western Europe through the Middle East and into South Asia during the 1960s and 1970s. Gaskell was drawn to the rejection of materialism and traditional social norms, together with strong anti-war ideals, which shaped the theme behind her collection.

She said: “My project combines a range of processes including hand embroidery, knitwear sponsored through my placement at Skyland, laser-cutting and leather moulding. One of my jackets features my Grandad’s passport stamps, which I digitally illustrated, transformed into 3D-printed stamps and then moulded into leather to create a visual record of the countries he travelled through.”

Fashion student Emmanuella Mensah is a Max Mara Opportunities in Fashion Scholar, funded by a donation from fashion brand Max Mara. Her final collection was inspired by her parents’ photo albums and her experiences growing up across different countries. Cowboy imagery features in her collection alongside contrasting materials including suede and lace that, she says, “interact and create their own meaning through construction and texture.”

Catwalk model
Emmanuella Mensah's final collection featured cowboy imagery.

Professor Liz Barnes, Head of Manchester Fashion Institute, said: “The Graduate Showcase is a celebration of three years of hard work, creativity and innovation. Our students have not only produced innovative new projects but have demonstrated a deep understanding of the role fashion can play in addressing real-world challenges.

“From sustainability and inclusivity to technological innovation, the work on display reflects the future of the fashion industry and the impact our graduates will go on to make.”

The annual showcase provides students with the opportunity to present their work directly to industry, offering a platform to launch their careers and build professional connections. View this year’s catwalk shows here

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