The aesthetics of data for IoT wearables

IFFTI 2019

Paper 76

Caroline McMillan

RMIT University, Australia

The aesthetics of data for IoT wearables

The Internet of Things (IoT) ecosystem proposes a seamless connection of the digital-physical, increasing the scope of networked entities that produce and exchange data. An emerging landscape of contemporary networked fashion urges us to consider what it means for clothes to be interconnected with other entities, in an enmeshed ecology, in contrast to just being worn. Design approaches to wearable technology (wearables) span a broad spectrum. However, the impact, evolution and direction of IoT interconnected wearables has not received enough attention. Functional and imaginative applications for fashion and textiles have begun to explore the connective potential of dynamic interfaces for IoT compliant systems. Collectively, these works indicate a need to understand how computational material contributes to aesthetic expression and plays a critical role in articulating empowered data transactions from a fashion perspective.

This paper describes an IoT connected dress, used to broaden the design inquiry of big data information visualisation for wearables, according to aesthetic criteria of haute couture. Electronics and cloud computing wirelessly transform time series data into visual and kinetic expression on the garment. Textile behavioural characteristics are foregrounded to design a specific aesthetic interaction with remotely sourced, quantified weather phenomena. The author examines material cultures that blend digital technologies with the creation of highly refined artefacts, such as new materialism. In the context of dynamic performativity, materials and time series data engage temporal movement and state-change structures. Moreover, the performativity inherent in this framework can be useful to support an analysis of rich making and socio-cultural display practices derived from fashion couture for wearables design.

 

Caroline McMillan

Caroline McMillan is interested in materials and design processes that are not traditionally associated with wearable technology. With its emphasis on fabric patterns that change according to live, ambient data feeds, her kinetic fashion employs the latest developments in mobile technologies to animate electronic hardware, laser cut leather, silk, feather and beaded embellishments.

McMillan’s PhD research-practice in the field of fashion and textiles takes a philosophical approach. Her line of inquiry is specifically Fashion and Textile approaches for interaction design, computational forms and interactive surfaces. Centring on contemporary and contextual issues around wireless technologies for the Internet of Things (IoT) and e-textiles. Interested in themes that range from artificial intelligence, soft robotics for textiles, and material cultures, her work conveys intuitive interactions with technology derived from nature.

Grounded in close to two decades of professional fashion industry experience for global fashion houses and trend forecasting agencies, McMillan has developed a deep and thorough working knowledge of fashion and textile design processes, sustainability, practices and applications for industry, relying on this creative, artistic and operational expertise to support her research pursuits.